making moves
the new place...
I was talking to Zak a little while ago
about twitter and he quipped, “This
is pretty much the end of personal websites, huh?”
and I pretty much agreed with him. I mean, I still
find having a personal website very useful,
especially for my acting work, but as far as
sharing what’s going and voicing opinions and all
that, twitter’s proven to be a really great tool.
That being said, I still should be doing a better job
of keeping this page updated! As usual, life has been
on overdrive, the most obvious result of this
hyperactivity being that Whitney and I have finally
moved to a new place. Honestly, I think a lot of
people were getting tired of hearing us talk about
hoping to move--we have been complaining about the
hunt for probably eight or so months! But we loved
our old place and had no reason to make any real
major compromises when it came to what we wanted out
of a new home...and then this place comes along, not
a block and a half away, and, well, we basically had
to take it. We’re still renting, which, honestly, is
fine for me right now, owning sounds like a pain in
the ass and I doubt we can afford anything resembling
the place we are renting now.
The living room...slowly getting into shape
So, things are good. Work
is super challenging right now, as I immerse myself
into a totally new paradigm for our products (it’s a
pain but it’s a good thing), and my Norton
Table character made an appearance at our
global sales and marketing conference in Las Vegas.
It was a lot of fun, I got up on stage and basically
introduced the senior staff in the consumer business,
making jokes about each of them as I went down the
list. What was crazy is how little I could actually
prepare for the piece! I had a few notes about each
person, but really, as I was standing backstage, I
really didn’t have that much to go on, I was really
relying on thoughts coming to me once I got in front
of people. It was crazy--like, it goes against
everything I’ve learned regarding rehearsal and
preparation, but I have been doing these interview
shows so often that I realize that once I hop into
character, thoughts, reactions and jokes actually
come to mind much more quickly than if I try to
anticipate and plan everything out. I am a bit
nervous--I certainly can’t depend on things coming to
mind, but it was nice that everything clicked that
one time.
The acting front has been irritatingly slow. I had a
great pilot audition a few months ago, but nothing
came from it, which doesn’t really matter because I
don’t think the show is going to be picked up anyway.
I have jumped back into acting class with Brian Reise, which has been
great, and have been attending quite a few
workshops with casting directors at ITA. Basically, I am trying to
shake things up a bit, because whatever I have
been doing for the past year or so just has not
been working.
I’ve gleaned a few things from some of the workshops
that I wanted to get down on “paper”. If you are an
actor, you might find these tips useful. If not, you
may find them interesting and useful in terms of
keeping things in focus when interacting with folks.
- When auditioning, focus on the person you are interacting with. Like, really, it sounds so obvious, but it can be really hard to focus when you are in a room with a lot of people watching you, not to mention dealing with the camera, the monitor, etc. If you are being filmed, what is important is not entertaining the folks in the room, but making sure that you nail the performance as seen by the camera. The best way to do this, it seems, is to focus, intensely, on the person you are reading with, really listening, really engaging with them--this focus will be picked up by the camera and be seen by the producers. This was a big change for me--I usually entertain the room, you know? By grounding myself with the other person, it helps keep the scene moving from an honest place.
- If your character is asking a question, realize that this question is often the key to the character and, probably, the scene. Figure out why the character is asking it, understand the implications of the answer to that question--whether or not you get an actual answer. When the character is asking a question, the character is admitting a need--the character wants that answer, he has an intention to get that information. Like it or not, that old saw about needing an intention for your scene still holds up and, if committed to, will give the scene a strong foundation. I was trained to ask, “What do I want?” at the beginning of every scene (some teachers suggest asking that for every line) and I think I stopped doing that at some point. The scene is there for a reason--TV and film are so expensive that it would be cut unless it was absolutely necessary--that reason is the key to expressing that character as best as you can.
- When you are auditioning for a part, for those 3-4 minutes, that part is yours. No one else has it--you have booked it for that period of time Don’t think of the audition as a try out--it’s the job, it’s the actual opportunity to do the piece. I had some teachers insist we drop the word “audition” and replace it with the word “job.” This can be a useful tactic, not only because it helps you focus on the piece more, but it takes out the “this is just my best try at the part” factor. The audition, the interview, is you--it’s you doing the part, it’s you on the set, it’s you during lunch, it’s you working with the director, it’s you being hired.
I will add more items to this list as I go, but those are the first ideas that come to mind. I go on so many commercial auditions that I think I have started to be much less stressed about them, which is technically a good thing, but I think that it might have lessened the stakes a bit. I don’t know--I really don’t...commercials are just so quick, so specific; you don’t even get the script until you show up and then your audition is not so much a scene but a quick situation. It’s tough.
From the Hotel Laguna, in Laguna Beach
Much coming in the next
few weeks. I will be up in San Francisco for the
Apple Developer Conference,
I’ve got a wedding coming up, Ravi’s planning a
big birthday, and, of course SDCC is coming up in July. My
weekly article at iFanboy is back on Wednesdays,
and I am working on at least two murmur articles as well. I’ve
also submitted three treatments to a
producer...we’ll just have to keep pressing on.
PS - My friend Matt Ferrucci has just started his new
webseries, Real Men Real Issues, and
he’s doing a great job adding new content to the
show on a regular basis, unlike this website.
Check it out and see what you think.


